David Pogue called me the other day and needed some graphics for his keynote presentation at PhotoPlus. He was speaking about the future of digital cameras and wanted some funny graphics representing a futuristic vision of cameras built into unlikely objects, such as, well, a belly ring.
There are three very cool things which occurred during this project, henceforth why I'm sharing it with you.
Once I had the perfect belly ring photo, I popped it open in Photoshop and added a Sony camera image that I already had. This particular camera had a very nice-sized round lens, so all I needed to do was select the lens, then use a layer mask to hide the rest it. I began by using the Elliptical Marquee Tool, which lives inside the Marquee tools as shown below.
Step 1: Draw a perfect circle around the lens by holding the Shift key while you drag. TIP: To draw a circle from the center outward, hold down the Option (PC: Alt) key.
Step 2: Add a layer mask by clicking the circle within a square icon at the bottom of the layers palette.
Step 3: Use the Move tool (just press V) to move the camera lens into the proper position in the photo.
With the lens is in place, we need to turn the silver rim into gold to match the belly ring. This is easily done with a Hue/Saturation adjustment layer.
Step 4: Command click (PC: Ctrl click) the layer mask created above in Step 3 to select the lens bit only.
A little circle of marching ants should appear around the camera lens, like so:
Step 5: Create an adjustment layer by choosing the half black/half white circle at the bottom of your layers palette, and choose Hue/Saturation.
Step 6: Click the Colorize checkbox at the bottom right of the resulting dialog box, then tweak the Hue and Saturation sliders until the lens rim turns a nice shade of gold.
Step 7: Our lens is gold, but so is the inner bit of the lens. This is bad.
To fix it, select the layer mask in the Hue/Saturation adjustment layer in the layers palette.
NOTE: The Hue/Saturation adjustment layer has a mask because we created it with an active selection: the lens.
Step 8: Choose the Brush tool (press B), pick a hard-edged brush and paint the center area of the lens with black. You'll see the original lens color begin to show through.
Here's how my document and layers palette look now:
Using layer effects, it takes five seconds to add a drop shadow. However, since there are existing shadows in the photo, our new drop shadow needs to match them in color. Here's how you do it.
Step 9: Select the camera layer, and click the tiny cursive 'f' that lives at the bottom of the layers palette. Choose Drop Shadow.
Step 10: Tweak the Distance, Spread, and Size sliders to your heart's content. TIP: You can move the drop shadow around with your mouse in the document itself.
Step 11: Change the color of the drop shadow by clicking the color well to the right of the blend mode in the Layer Style dialog box.
Mouse over to the image and choose a portion of skin, and click OK.
Step 12: Back in the Layer Style dialog, I pumped up the shadow opacity to 100%.
Here's the finished product:
Just for fun, here are the other images I created for David, all found by searching for specific items such as braces, piercings, big teeth and sunglasses at istockphoto.com. All for a buck each!